{"id":3996,"date":"1980-05-01T00:00:00","date_gmt":"1980-05-01T00:00:00","guid":{"rendered":"https:\/\/www.rbc.com\/en\/about-us\/history\/letter\/vol-61-no-5-may-1980-the-urge-to-collect\/"},"modified":"2022-11-27T02:59:29","modified_gmt":"2022-11-27T02:59:29","slug":"vol-61-no-5-may-1980-the-urge-to-collect","status":"publish","type":"rbc_letter","link":"https:\/\/www.rbc.com\/en\/about-us\/history\/letter\/vol-61-no-5-may-1980-the-urge-to-collect\/","title":{"rendered":"Vol. 61, No. 5 &#8211; May 1980 &#8211; The Urge to Collect"},"content":{"rendered":"<div id=\"layout-column-main\">\n<p class=\"boldtext\">From children&#8217;s marbles to works                     of art, collecting is one of mankind&#8217;s most popular pastimes.                     We collect many different things for many different reasons,                     but there must be rules to make it worthwhile&#8230;<\/p>\n<p> Why do people collect things? The handiest explanation is                     that it is a matter of instinct. Collecting evidently is not                     exclusive to human beings. Pack rats and magpies are notorious                     for stashing away every object that strikes their fancy. Chimpanzees                     and whisky jacks share the habit of assembling jumbles of                     trash.<\/p>\n<p>That monumental spoil-sport Sigmund Freud put down the urge                     to collect as a sublimation of sexual desire. This hardly                     seems to accord with the ways of pack rats and the rest, unless                     these creatures are a lot more complicated than we think.                     Other psychologists have tied collecting to an unsatisfied                     lust for power. This begs the question of why some of the                     most powerful people in history have been among history&#8217;s                     greatest collectors as well.<\/p>\n<p>But why quibble? Suffice to say that a great many different                     people collect a great many different things for a great many                     different reasons. It might even be said that we are all collectors                     whether we know it or not. For who among us does not collect                     something, be it rubber bands, paper bags, derelict wallets                     or handbags, desiccated ball point pens, single cuff links                     or earrings? What husband does not notice a tendency in his                     wife to collect certain foodstuffs such as cans of apple sauce                     or pound upon pound of tea? What wife has not detected a similar                     tendency in her husband, dwelling on broken fishing tackle,                     ill-assorted nuts and bolts, and obsolete neckties? What is                     a home without keys for which there are no locks, unstrung                     tennis rackets and unsmoked pipes, sweaters that will never                     again be worn, and musical instruments that will never again                     be played?<\/p>\n<p>Bits of string, buttons, expired driver&#8217;s licenses, old                     golf balls &#8211; the list of our litter is almost endless. It                     takes a superhuman effort of will to throw out everything                     in a household that should be thrown out, and most of us prove                     to be only too human when the moment of decision arrives.                     Sophisticated collectors would dismiss this as mere &#8220;accumulation&#8221;,                     as opposed to the active practise of collecting, which entails                     buying, selling, trading, labelling, cataloguing, and maintaining                     contact with fellow enthusiasts. Still, it takes no special                     powers of analysis to see that our reluctance to part with                     useless items goes beyond the delusion that they &#8220;might come                     in handy someday&#8221;. They may be rubbish, but it is our own                     rubbish &#8211; part of our uniqueness as human beings.<\/p>\n<p>Collecting in any form is an assertion of identity. Clinging                     to personal junk is only a step away from the more orderly                     process of saving photographs and souvenirs to keep a sentimental                     record of our life and times. The impulse to gather souvenirs                     can be overpowering. Soldiers have been known to risk death                     or injury to pluck a memento from a battlefield; so, for that                     matter, have teen age fans scrambling for some pop idol&#8217;s                     autograph. Why? Probably because keepsakes are essential as                     keys to the memory. Photograph and souvenir collections are                     to the individual what museums and archives are to the society                     &#8211; a way of preserving history, in this case a history that                     is all one&#8217;s own.<\/p>\n<p>Collecting reveals a great deal about a personality. Among                     any group of children collecting marbles, you might find three                     or four different general types. Some will gamble to add to                     their treasures, while others will take no chances. Some will                     recklessly squander their stakes; others will specialize in                     shrewd trades. Some will concentrate on quantity at the expense                     of quality. Some, regrettably, will steal or cheat to add                     to what they have.<\/p>\n<p>Childhood collections go some way towards proving that the                     child is father of the man. As a boy, Winston Churchill had                     an impressive collection of toy soldiers which he would manoeuvre                     in large formations; many years later he would be doing the                     same in real life, albeit at second hand. Churchill has been                     described as a romantic whose dreams came true. It is safe                     to say that there are many like him &#8211; racing drivers who once                     collected Dinky Toys, sports heroes who collected baseball                     and hockey cards with pictures and biographies of their own                     boyhood heroes, actresses who as girls clipped pin-ups out                     of movie magazines. The great majority of us, however, will                     never achieve our most romantic ambitions. For us, then, collecting                     may offer an outlet to indulge our fancies in a harmless and                     comfortable way.<\/p>\n<p>Thus, for a few fleeting moments, the record collector may                     vicariously become an internationally renowned soloist performing                     in front of a glittering symphony orchestra. Distance and                     time mean nothing as the collector of model ships sails an                     imaginary vessel into the teeth of a hurricane as he rounds                     the Horn. The art collector falls into a reverie of dashing                     the last masterful brush strokes on his latest masterpiece.                     Immune from the discomforts of travel, the philatelist journeys                     far and wide to exotic climes.<\/p>\n<h3>Saying to the world that it&#8217;s nobody                   else but you<\/h3>\n<p>In this respect collecting is food and drink for that larger-than-life                     image of ourselves that dwells in the alter ego. But it can                     also be richly nourishing to the ego as such. There can be                     few owners of collections who do not delight in showing them                     off. Any collection, from sea shells to old masters, is a                     reflection of the owner&#8217;s taste, and taste is the pride of                     a personality. Whether good, bad or indifferent in the eyes                     of others, taste is a way of proclaiming to the world: &#8220;This                     is nobody else but me.&#8221;<\/p>\n<p>The need to display one&#8217;s taste as an expression of the                     ego partly explains the propensity of collectors to keep in                     touch with each other and to gather together on occasion.                     The recognition of one&#8217;s peers is a heady tonic to self-esteem.                     A convention of, say, chess set collectors may be a hotbed                     of rivalry and envy, but it is all in the family, among people                     whose particular knowledge and acumen makes them an elite                     group of equals. Collecting is a great social leveller. An                     insignificant man in ordinary affairs may be the king of collectors                     of a certain class of object, commanding the respect of all                     who dabble in it. One of the joys of collecting in an organized                     fashion is in associating with like-minded people. Life-long                     friendships can spring from a common interest in things like                     matchbooks or dolls.<\/p>\n<p>There seems no limit to the interests that may give rise                     to collections. The <em>Guinness Book of World Records <\/em>tells                     us that Dr. Robert E. Kaufman of New York has 6,210 packs                     of different brands of cigarettes from 157 countries; the                     world&#8217;s largest collection of <em>empty <\/em>cigarette packs                     is owned by Niels Ventegodt of Copenhagen &#8211; 40,065 different                     brands. There are said to be 5,000 collectors in the United                     States of the &#8220;date nails&#8221; which railroads once drove into                     ties to record when a track was laid. Among other things,                     people collect outboard motors, coffee cans, mouth organs,                     hot water bottles, telephones, invalid stock certificates,                     and funny hats.<\/p>\n<h3>A refuge from the vexations of your                   everyday existence<\/h3>\n<p>They follow these whimsical pursuits at least partly as                     an antidote to the seriousness, tenseness and impersonality                     of everyday living; a great Russian bibliophile once put it                     nicely when he said that his collection gave him &#8220;needed rest                     from worldly squabbles&#8221;. Collecting is capable of so absorbing                     our thoughts that we have none to spare for our usual vexations.                     It is noteworthy that even an art or book auction at which                     collectors have large sums at stake is conducted in an atmosphere                     of dignified tranquillity.<\/p>\n<p>This is not to say that collecting is not a serious pastime.                     Some people are very earnest about it indeed. The hunting                     instinct in the human species comes to the fore in all its                     intensity when a collector is on the trail of a special quarry.                     Collectors can be ruthless bargainers when they are on to                     a good thing. Busy tycoons such as J. Pierpont Morgan and                     J. Paul Getty devoted as much time to their fine arts collections                     as they did to their businesses. But, of course, they had                     managed to collect enormous amounts of money first.<\/p>\n<p>The historic appeal of collecting to the very rich may confirm                     the connection some critics have drawn between collecting                     and avarice. The same faculties needed to amass a great fortune                     are useful in amassing a great collection, no doubt. But it                     may be that they were doing more than just following their                     natural compulsions or flaunting their wealth and power. They                     may have been reaching for a kind of piggy-back immortality                     based on the immortality of the artists whose works they collected.                     Indeed, the names of many super-rich men and women of the                     past would now be forgotten entirely if it were not for the                     museums they established or their other public benefactions                     of art.<\/p>\n<p>Taxation and social changes have now practically ruled out                     the vast collections once assembled by private individuals.                     Their place has been taken by collections like that of the                     National Gallery of Canada, which is celebrating its centennial                     this year. The officials and selection committees of such                     institutions do their collecting on behalf of the public.                     Over the years, our National Gallery has added to its original                     collection of Canadian art by acquisitions of paintings, sculptures                     and prints by most of the greatest names in the history of                     art.<\/p>\n<h3>Expansion, specialization, and a collection                   of fakes<\/h3>\n<p>Public institutions have much in common with private collectors.                     The National Gallery, for instance, has an acute space problem                     because its 28,000-item collection has long since outgrown                     its premises &#8211; not an uncommon complaint among collectors                     of any kind. Although it runs the largest and oldest travelling                     exhibition program in the world, its officials would still                     like to be able to exhibit more of its treasures. In this                     they are similar to coin and stamp collectors at conventions                     who protest that you ought to see what they had to leave at                     home.<\/p>\n<p>The Gallery&#8217;s collection has followed a familiar pattern                     in expanding from a fairly narrow speciality into broader                     fields such as fine art photography. This is one of two main                     routes a collection can take, the other being to become more                     and more specialized. Collections can also run off in odd                     directions. A. J. B. Kiddell, a director of the famed London                     auction house of Sotheby Parke Bernet &amp; Co., owns an extensive                     array of paintings &#8211; all of them certifiable fakes.<\/p>\n<h3>The danger of a collection turning                   you into its slave<\/h3>\n<p>Many the person who began collecting antiques has ended                     in being far more interested in the curious junk that crowds                     cheap antique shops. To the dedicated junk collector, a devastatingly                     unsightly old lamp may be more of a find than an authentic                     Chippendale piece. This is related to collecting for the sake                     of collecting, something that presents a hazard to the people                     who are now buying antiques and other works of art for economic                     reasons. It could well be that those who acquire collector&#8217;s                     items as a hedge against inflation will want to keep and expand                     their collections. Having been bitten by the collecting bug,                     they may find themselves spending more inflated money than                     before.<\/p>\n<p>The most common danger in collecting is that one can become                     a slave to it. This phenomenon can best be observed in one                     of the most prevalent and yet least recognized forms of collecting,                     the collecting of other human beings. Social climbers and                     groupies do it all the time; and their individuality is often                     abandoned in their supplication to the figures they admire.                     &#8220;Great lovers&#8221; of both sexes collect other people to the exclusion                     of rounded standards of quality and taste. On the other hand,                     a person who gathers genuine friends has a collection that                     is unique and priceless. For in this as in all other forms                     of collecting, a couple of basic rules must apply to make                     it worthwhile. First, never collect just for show, but for                     intrinsic value. And second, never collect to impress others                     or to meet their standards. Collect according to your own                     standards to satisfy you.<\/p>\n<h3>A Change in Schedule<\/h3>\n<p>Since its inception almost 60 years ago, the <em>Royal Bank                     of Canada Monthly Letter <\/em>has been distributed with the                     bank&#8217;s compliments to any individual or organization that                     cared to receive it. Such has been the immense popularity                     of its thought-provoking essays that its total circulation                     in French, English and Braille in both languages now stands                     at 736,000 a month in more than 75 countries.<\/p>\n<p>Unfortunately sharp and steady increases in mailing and                     other costs over the past few years have added enormously                     to the expense of providing this public service. In order                     to reduce these prohibitive costs to manageable proportions,                     and yet preserve a service that is so obviously in demand,                     it has been decided to reduce the frequency of publication                     to six editions a year.<\/p>\n<p>Accordingly, as of the next edition in July, its new name                     will be <em>The Royal Bank Letter<\/em>. We hope and trust                     that its readers will appreciate the reasons for the change.                     We intend to maintain the high literary standard that has                     made the <em>Letter <\/em>one of the world&#8217;s most respected                     publications. It will not be published as frequently as in                     the past, but otherwise it will be the same as before.<\/p>\n<\/div>\n","protected":false},"author":79,"featured_media":0,"template":"","categories":[1],"rbc_letter_theme":[],"rbc_letter_year":[60],"class_list":["post-3996","rbc_letter","type-rbc_letter","status-publish","hentry","category-uncategorized","rbc_letter_year-60"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.2 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Vol. 61, No. 5 - May 1980 - The Urge to Collect - RBC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rbc.com\/en\/about-us\/history\/letter\/vol-61-no-5-may-1980-the-urge-to-collect\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 61, No. 5 - May 1980 - The Urge to Collect - RBC\" \/>\n<meta property=\"og:description\" content=\"From children&#8217;s marbles to works of art, collecting is one of mankind&#8217;s most popular pastimes. 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