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2003
Western Canada
Chris Dorosz
Winnipeg, Manitoba
Screen 2, 2003
48 x 72
Industrial staples, sparkles, acrylic/gel medium on canvas
Chris uses paint as a metaphor to the physical world pushing towards virtual reality. On canvas, he mimics a screen monitor through the grid work of industrial staples and various paint mediums. Screen 2 depicts the idea of slowing down the quickness of monitor imagery. Jurors:
- Bob Boyer artist; department head, Indian Fine Arts,
First Nations University of Canada
Saskatoon, Saskatchewan
- Wanda Koop artist
Winnipeg, Manitoba
- Paul Kuhn director, Paul Kuhn Gallery
Calgary, Alberta
Eastern Canada
Peter Dykhuis
Bedford, Nova Scotia
Radar Paintings/Series 3, 2003
48 x 48
Encaustic, enamel on 12 panels
Radar Paintings/Series 3 is developed from several images of precipitation patterns recorded at a weather station located in Halifax. The satellite point of view maps out territory and weather patterns and becomes the subject matter that encapsulates how landscape can be represented in a digitally constructed, connected, and scrutinized world. Jurors:
- Jocelyne Aumont owner and director, Galerie Trois Points
Montreal, Quebec
- Ingrid Jenkner curator, Mount St. Vincent Gallery
Halifax, Nova Scotia
- Jeffery Spalding director and chief curator, Art Gallery of Nova Scotia
Halifax, Nova Scotia
Central Canada
Chris Rogers
Toronto, Ontario
Untitled, 2002
60 x 72
Oil on canvas
Chris explores light and psychedelia generated from natural and artificial sources. He uses found and original photographs as a source for large abstraction that may also appear representational. Jurors:
- Robin Metcalfe curator, Museum London
London, Ontario
- Sarah Milroy visual arts critic, the Globe and Mail
Toronto, Ontario
- Kim Moodie artist and instructor, University of Western Ontario
London, Ontario
- Joanne Tod artist
Toronto, Ontario
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